In this 27 minute documentary cinematographers at the highest level talk about dedolight and what it is that separates these lights from other lights on the market.
Key cinematographers featured in this documentary:
Billy Williams Credits include: Gandhi (Winner Academy Award Cinematography 1982)
On Golden Pond (nominated Academy Award Cinematography 1981)
Nigel Stone Credits include: Total Recall (2012), Prince of Persia: The Sands of Time (2011), Harry Potter (6 movies 2001 2009), Mission: Impossible II (2000)
Stefan Lange Credits include: Skyfall (2012(, Dark Shadows (2012) Die Another Day (2002), Mission Impossible (1996)
Stuart Harris Commercial credits include: Levis, Lee Jeans, Oil Of Olay, Pink Floor, Neutrogena, Vidal Sassoon, Head and Shoulders
Jonathan Harrison Has worked for all major UK broadcasters; trained as film cameraman, BBC Ealing Film Studios
Ian Murray Commercial credits include: Guinness, Nike. Coca Cola, Nikon, Nivea, Olay, Fairy, Head and Shoulders
The key feature about dedolight, mentioned time and time again, is the optical quality which these lights offer. This applies to all dedolights: from the original DLH4 focussing to light, to the modern PanAura, DLED2, DLED4. Many of these lights work with projector attachments. The dedolights are unique and of the highest build quality. All dedolights provide excellent colour rendition and light which is controllable like no other system on the planet.