BLACKMAGIC DESIGN ANNOUNCES ATEM CAMERA CONTROL: CONTROL BM STUDIO CAMERAS REMOTELY FROM ATEM PRODUCTION SWITCHERS

Until now the ability to control cameras from the live production switcher was only available to extremely high end broadcasters who had the costly infrastructure that allowed this feature. With the new ATEM Camera Control software update, ATEM live production switchers can now control cameras via a new open standard protocol sent to the camera via the return program feed.

ATEM Camera Control is compatible with the new Blackmagic Studio Camera when running software update v1.8.2 or later. The Blackmagic Studio Camera HD and Blackmagic Studio Camera 4K models feature both optical fiber and regular SDI program return feeds to the camera and the commands from the switcher are broadcast to all cameras via this program return feed.

The Blackmagic Studio Camera can be controlled via a regular CCU style of control, however to allow even greater creativity, the Blackmagic Studio Camera has a fully featured DaVinci Resolve primary colour corrector built in featuring the same YRGB style grading that is found on DaVinci Resolve.

This means the switcher operator has incredible control over the cameras and not only can settings like focus and iris be remotely set with extreme accuracy, but the operator has full lift, gamma and gain controls in full YRGB colour-space just like a full colour corrector. Now any colourist that is familiar with DaVinci Resolve colour grading can use their creative skills on live production work.

This new ATEM Camera Control with colour correction will allow customers to not only get perfect matching between cameras on live production, but operators can also take into account changing light conditions, which is common on outdoor events. Then when customers need to generate creative looks, such as for music videos, they can push the correction further for exciting looks all in real time.

The stylish control panel in the ATEM Software Control allows normal operation of the ATEM live production switcher, but then at any time the user can select the camera tab and then see the controls for each camera. They get a familiar CCU style of interface with easy control of black and iris settings on the camera as well as focus. When controlling a camera, this camera is automatically output using one of the switchers aux. outputs so the operator can use this aux. output to local monitoring.

When more refined and creative looks are desired, the user can then push a button and the CCU style interface will expand out to a fully featured primary colour corrector interface, that allows colour grading using an interface very familiar to any DaVinci Resolve colourist. Every setting creatively is the same as DaVinci Resolve as the processing is the same. With the colour corrector built into the camera, customers get much greater creative control because the colour corrector gets full bit depth and colour space direct from the cameras sensor.

Since we first demonstrated the ATEM camera control, the response has been amazing, and broadcasters have quickly recognized the advantage of the Blackmagic Studio Cameras design and interoperability with ATEM switchers as well as the incredible colour corrector built right inside the camera itself! said Grant Petty, CEO, Blackmagic Design. Now they can have full control without running any extra cables using the new SDI based protocol. All that is required is a single thin SDI optical fiber or SDI cable. This is not just a simple CCU style of colour adjustment but a full featured DaVinci primary colour corrector built right into the camera itself. The benefit to the customer is that exciting creative looks can be achieved in live production, that previously were only possible in post production. Im very excited to release this software and cannot wait to see what people do with it creatively!

ATEM Camera Control Key Features

• Colour control for up to 20 cameras.
  
• Familiar Da Vinci YRGB style live colour grading including lift, gamma and gain control.
  
• CCU style operation for the most commonly used operations of iris and pedestal levels.
  
• Remote gain settings.
  
• Remote shutter speed settings.
  
• Coarse setting for iris.
  
• Remote white balance selection.
  
• Remote focus.
  
• Remote iris.
  
• Aux switching for camera preview allowing automatic local monitoring for grading.
  
• Clear “On Air” indication in user interface reduces the possibility of mistakes.
  

• Lock function stops accidental changes.